16 UMMA Objects
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This photograph depicts a small river cascade in a pine forest.
William Henry Jackson (American (North American))
Cascade, Middle Fork of the Gallatin, M.T.
1872 – 1877
Museum Purchase
1978/2.29
A medium size, well potted jar with round shoulder and shorter neck. Inside is not totally glazed. On the body, pine, bamboo, and plum trees are finely painted with blue underglaze. Then a translucent glaze is applied, which turns into milky, white color. It has three floral decorations on the shoulder; the decoration is originated in functional elements of “ears” to which ropes were tied for transportation. The neck has a band of double lines and spray design of peony flowers and leaves. The rim of the neck is unglazed. The foot is unglazed; eye is glazed. Some imperfections of glaze are seen toward the bottom. Glaze is scraped off on one part. Many speckles on the surface.
Japanese (Japanese (culture or style))
Blue-and-white jar with floral and leaf design
1615 – 1643
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1964/1.99
This photograph depicts an elevated, wide view of a curving river winding through a wooded valley, with snowcapped mountains rising in the distance. The sky above the landscape is filled with clouds.
Ansel Adams (American (North American))
The Tetons and the Snake River, Grand Teton National Park, Wyoming
1942
Gift of Harry H. Lunn, Jr.
1982/2.74
Pastoral poet Tao Yuanming (372–427) and a boy-servant bearing chrysanthemums on his back are shown. Two pine trees dominate the composition. Tao Yuanming’s forward gaze and slightly hunched posture exhibit his full inner exhilaration when chrysanthemums were collected. The subtle smile on the poet’s face seems also to reflect a moment of transcendence.<br />
Has signature and seal of the artist
Ni Tian
Tao Yuanming Appreciating Chrysanthemums
1855 – 1919
Gift of Jung Ying Ts'ao, in honor of State Senator Jack Faxon
1987/1.275

Seifū Yohei III
Teabowl, white glaze with overglaze copper painting of pine tree (1 of 2)
1880 – 1914
Bequest of Margaret Watson Parker
1954/1.494
Print of forest pathway. Road is surrounded by tall sparse trees and leads to a body of water. Rocky coastline is visible in the distance.<br /><br />
Eva Caston 2017
Warren Lombard (American (North American))
Black Head
1931
Gift of Prof. and Mrs. Alfred H. White
1940.68
This painted hanging scroll depicts a rocky cliff with trees at the base. The trees are around a pavilion at the bottom left. On the upper right is an inscription with three lines in descending order right to left. It is followed by two red stamps.&nbsp;
Nakabayashi Chikutō
Pavillion in the Woods in Spring
1830
Museum purchase made possible by a gift from Helmut Stern
1985/2.26
Photographed from a high vantage point, this image depicts a vertical view looking down into a rugged canyon with a river running along its bottom.
William Henry Jackson (American (North American))
Grand Canyon of the Yellowstone
1871 – 1872
Gift of Howard and Margaret Bond
1990/2.20
Black silk damask with some interwoved black lacquered threads; pine-needle design embroidery in gold- and copper-colored metallic threads
Japanese (Japanese (culture or style))
Black Nagoya-style obi with embroidered pine needle designs in gold- and copper-colored metallic threads
1960
Gift of Howard and Patricia Yamaguchi
2005/1.330
A monkey climbs up a tree, grasping at the branches with his hands and feet. The image uses soft colors, and the monkey almost appears to be leaning or falling away from the tree. The top right corner appears gray. This is a pair with 1986/2.61.1.
Mori Sosen (Japanese (culture or style))
Monkey Climbing a Tree
1807 – 1821
Museum purchase made possible by a gift from Helmut Stern
1986/2.61.2

Jane C. Stanley
Pines, Summerville, S.C.
1863 – 1940
Bequest of Margaret Watson Parker
1954/1.264
Bright green mountains dominate this tranquil autumn landscape. Figures wait beneath trees alongside a riverbank for a ferry in the lower portion of the scroll.
Yao Yunzai (Yao Yün-tsai)
Waiting for a Ferry by a River in Autumn
1641
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1974/1.93
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